Dystopian novels have been “in” for several years now. The Hunger Games and Divergent were the most popular reads of my high school days. Brave New World, 1984, and Anthem were on the AP reading lists. I continue to devour Ray Bradbury’s work.
However, we forget the purpose of dystopian fiction, which is to warn and protect us from creating such futures in reality. Dystopian fiction remains fiction only so long as we read and heed these books as warnings, not merely as disturbingly entertaining tales.
While we continue to be shocked by the dystopian stories we read, we are at the same time allowing ourselves to fall into them. By labelling them as “fiction” we are separating them from our reality and from our future. We feel terror and disgust as we read them, but can easily brush them aside as “mere stories” once we close the covers.
Ray Bradbury once said,
“You do not have to burn books to destroy a culture. Just get people to stop reading them.”
As much as I’d like to say Bradbury is inerrant, I would like to alter this statement ever so slightly for the sake of clarity:
“You do not have to burn books to destroy a culture. Just get people to stop believing them.”
As soon as we assure ourselves that dystopian societies are just monsters created by authors, they lose their power to prevent us from growing into such societies. The moment we begin to read these books as fiction, when we stop believing that such horrors and degeneration might be possible, is the moment we begin to descend into dystopia ourselves.
If children were to read the classic tale of Hansel and Gretel as merely a story that could not possibly have any truth to it, the preserving concept of “stranger danger” loses its impact. We cannot read this story to children without explaining its moral and begging them to heed its lesson.
In the same way, adults cannot read dystopian novels simply as futuristic fairy tales; we cannot consume them only for their shock and entertainment value. Rather, just as we would hope that children learn caution from Hansel and Gretel, it is our duty as responsible readers to learn an even greater caution from stories such as Brave New World, Fahrenheit 451, and even The Hunger Games.
It is of even greater importance now in 2017 than when these stories were originally penned, even if that was not long ago. We already have turned deaf ears to the warnings of these stories and are already reaping the consequences as we slip into dystopia.
Consider the following:
Remember the citizens of the Capitol in The Hunger Games by Suzanne Collins? We were bothered by them for their selfishness, their vanity, their degenerate morality, and their obsession with entertainment. But are we equally concerned by such lifestyles in reality? Or do we shudder at them between pages and then act as they do in our own lives without even realizing?
In The Giver by Lois Lowery, another YA dystopian novel, babies who are not up to standards are “released.” I remember my friends and I crying over this chapter in elementary school. Yet now so many former young readers champion the killing of the pre-born because of detected health problems, special needs, or simply because the child is unwanted. How can we justly promote in reality the things of which we once read with sorrow?
Fahrenheit 451 is fairly explicit in its message (Bradbury makes no attempt at subtlety -bless him). Yet while we read of the death of literature, we retreat without a thought into cheap entertainment as soon as we finish the book. Worse, we ignore his clear warnings and are happy to glean our information through soundbites and social media blurbs rather than through thorough reading, considerate conversations, and serious thought. Are we, too, mindlessly “watching our stories” without discernment or contemplation?
Perhaps the most shocking dystopian novel I’ve read is Brave New World (Aldous Huxley). At least, it was shocking when I read it four years ago. Now, it feels rather ordinary. (Has the world really fallen so far in four years? Perhaps I am simply older and sorrowfully wiser.) As I read this book, I was horrified at the unrestrained sexuality of it; most characters sought only their own pleasure, cared nothing for relationships, and procreation was a thing of the distant past. But is this so far different from today? We find ourselves living in a generation that boldly protects promiscuity and demands consequence-free pleasure while conservative approaches to relationships are scorned as old-fashioned.
Ayn Rand’s Anthem centers on a character called “Equality 7-2521.” Everyone is equal, but, ironically, no one is free; every member of the society is equal to the extreme that none of them may differ from others. Today, are we perhaps striving for a dangerous equality like that of Anthem? We must certainly protect and value all people equally; however, Anthem warns against forcing equality of thought. Although we read this warning, do we follow it? The minute someone expresses an idea that we consider offensive, are we quick to aggressively silence him or her rather than admit that we all have the right to think freely?
I am not saying that everything in these dystopian novels will come true, but they are not nearly as far-fetched as they once seemed. Certainly I do not expect America to be divided into factions or our teenagers to be sent into battle against each other or for us to mate according to selection by governors. However, there are undeniable dangers to reading dystopian novels as fiction, just as there are dangers to ignoring the morals of fables and fairy tales.
We ought to read dystopian books as seriously as we read history books. It is said that “those who do not learn history are doomed to repeat it” and so we diligently are set to studying history from the minute we enter school. We also are encouraged throughout our school days to read dystopian stories, but we must not be satisfied with reading them as mere fiction. Rather, we must read them with the discernment and diligence with which we study history. It is imperative that when we read dystopian books, we read with great awareness of their relation to reality so that we are not, like poor history students, doomed to live them.
Years later, and I still cry along with my 6th graders as I read aloud about the tender care of the grieving elephant for his slaughtered friend and the callousness with which the Nurturer intones, “Bye, bye, little guy,” in The Giver.
After years of reading The Girl Who Owned a City, I finally have discerned that Lisa’s “special book” was not the Bible as I wanted it to be, but Ayn Rand’s novel, Atlas Shrugged. There are so many truths that God has placed in all forms of art, music, literature and life. Listen to the song, “One Tin Soldier Rides Away.” Will we never learn? (I have not read Anthem, so I’m finding it. )
Now, dyastopic books like The Bar Code Tattoo, The Eye of Minds and Ready Player One (which will be a Spielberg movie in the Spring) continue to warn as does the entrance monument at Dachau concentration camp…”Those who forget the past are condemned to repeat it.”
Beautifully said! Thank you for your comment and for training young readers to be discerning and wise in application. 😊
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Thank you. (Now, regarding technology gone awry, please delete my double post.)
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Hi Ryanne, I’m a film student in Toronto Canada. i’m working on a documentary for my class project and came across your entry. I was wondering if you’d be interested in being interviewed?
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Hello! Thank you for reading! I absolutely would be interested in an interview. You can email me at email@example.com 🙂